PHIR SE UD CHALA SONG LYRICS - ROCKSTAR - MOHIT CHAUHAN

Phir Ud Chala Song Lyrics from Rockstar
Song Writer: Irshad Kamil
Singer: Mohit Chauhan
Movie: Rockstar
Music Composer: AR Rahman
Music Label: T-Series
Starring: Ranbir Kapoor, 
Release Date: 11/11/11

Phir se ud chala 
Ud ke chhoda hai jahaan neeche main tumhare ab hoon hawaale
Door door log baag meelo'n door ye waadiyaan

Phir dhuaan dhuaan tan har badli chali aati hai chhoone
Par koi badli kabhi kahin kar de tan geela ye bhi na ho...

Kisi manzar par main ruka nahi
Kabhi khud se bhi mein mila nahi
Ye gila tto hai main khafa nahi
Shehar ek se gaa'nv ek se
Log ek se naam ek ooo

ooo o...
Phir se udd chala
Mitti jaise sapne ye kitta bhi palko se jhaado
Phir aa jaate hain
Kitte saare sapne kya kahoon kis tarah se maine
Tode hain chhode... hain kyun
Phir sath chalein mujhe leke ude ye kyun
O o..

Kabhi daal daal kabhi paat paat
Mere saath saath phire dar dar ye
Kabhi sehra kabhi saawan 
Banu raawan jeeyun mar mar ke
Kabhi daal daal kabhi paat paat
Kabhi din hai raat kabhi din din hai
Kya sacch hai, kya maaya 
hai daata, hai daata

Idhar udhar titar bitar
Kya hai pata hawa le hi jaaye teri ore
Kheenche teri yaadein
Teri yaadein teri ore

Rang-birange vehamon mein 
Main udta phiru
Rang-birange vehamon mein 
Main udta phiru

Kun Fayakun Lyrics

Phir Ud Chala Song Lyrics from Rockstar
Song Writer: Irshad Kamil
Singer: Mohit Chauhan
Movie: Rockstar
Music Composer: AR Rahman
Music Label: T-Series
Starring: Ranbir Kapoor, 
Release Date: 11/11/11

Kun Fayakun is Sufi / Qawwali sung by AR Rahman, Javed Ali and Ranbir's part is sung by Mohit Chauhan. It's a great song, gives you peace and connects you to God. Very well sung all three singers and Brilliant work by Ranbir Kapoor as well.
Song Writer: Irshad Kamil
Singer: Mohit Chauhan, AR Rahman, Javed Ali
Movie: Rockstar (2011)
Music Composer: AR Rahman
Music Label: T-Series
Starring: Ranbir Kapoor, Nargis Fakhri
Release Date: 11/11/11
Director: Imtiaz Ali

Kun Fayakun Meaning

Kun Fayakun means Be, and it is.
Its an Arabic term mentioned in Quran which means When God Almighty intends some work to be done. He just say Kun (Be) and It is done already.



Ya Nizamuddin Auliya 
Ya Nizamuddin Salka
Kadam badha le
Haddon ko mita le
Aaja khalipan mein pee ka ghar tera
Tere bin khali aaja khalipan mein
Tere bin khali aaja khalipan mein
Ooo...

Rangreza Rangreza
Rangreza aa.....
Ho o ... Rangreza Rangreza

Kun fayakun Kun fayakun fayakun
Fayakun fayakun fayakun
Kun fayakun Kun fayakun fayakun 
Fayakun fayakun fayakun

Jab kahin pe kuch nahi bhi nahi tha
Wahi tha Wahi tha Wahi tha 
Jab kahin pe kuch nahi bhi nahi tha
Wahi tha Wahi tha Wahi tha 

Woh jo mujh me samaya woh jo tujh me samaya
Maula wahi wahi maaya
Woh jo mujh me samaya woh jo tujh me samaya
Maula wahi wahi maaya

Kun fayakun Kun fayakun
Sadaq allaho-l ali al-azim

Rangreza rang mera tann mera mann
Le le rangaai chahe tann chahe mann
Rangreza rang mera tann mera mann
Le le rangaai chahe tann chahe mann

Sajra savera mere tann barse
Kajra andhera teri jalti lau
Sajra savera mere tann barse
Kajra andhera teri jalti ki lau
Qatra mila jo tere darr barse
O Maulaa...
Maulaa... aa...

Kun fayakun Kun fayakun
Kun fayakun Kun fayakun
Fayakun Kun fayakun fayakun 
Fayakun fayakun fayakun
Aaa
Kun fayakun Kun fayakun fayakun
Fayakun fayakun fayakun

Jab kahin pe kuch nahi bhi nahi tha
Wahi tha Wahi tha Wahi tha
Jab kahin pe kuch nahi bhi nahi tha
Wahi tha Wahi tha Wahi tha

Kun fayakun Kun fayakun
Sadaq allaho-l ali al-azim

Sadaq-al sur'aah bih-al Al-Qari
SalAllah hu alayhi wasallam

Ho mujh pe karam sarkar tera
Araj tujhe kar de mujhe 
Mujhse hi riha
Ab mujhko bhi ho deedar mera
Ab kar de mujhe mujh se hi riha

Mann pe mere ye bharam 
Kachche mere ye karam
Leke chale hain kahaan main to jaanu hi na

Tu hai mujh mein samaaya kahaan leke mujhe aaya
Main hoon tujh mein samaaya
Tere peechhe chala aaya
Tera hi main ik saaya
Tune mujhko banaya 
Main tto jag ko naa bhaya 
Tune gale se lagaya
Haq tu hi hai khudaya
Sach tu hi hai khudaya

Kun fayakun Kun fayakun fayakun
Fayakun fayakun fayakun
Kun fayakun Kun fayakun fayakun 
Fayakun fayakun fayakun

Jab kahin pe kuch nahi bhi nahi tha
Wahi tha Wahi tha Wahi tha 
Jab kahin pe kuch nahi bhi nahi tha
Wahi tha Wahi tha Wahi tha 

Kun fayakun Kun fayakun
Sadaq allaho-l ali al-azim

Sadaq-al sur'aah bih-al Al-Qari
SalAllah hu alayhi wasallam


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Deiva thirumagal story

Mohan Natarajan's Deiva Thirumagan (The Son of God), directed by A L Vijay, stars Vikram, Anushka Shetty and Amala Paul. G V Prakash scores the music while Na Muthukumar has penned the lyrics.

Let's have a look at what the album has to offer: 

"Kadha Solla Poren," says Vikram and a child asks for the story, and the song begins in a recital fashion to the accompaniment of guitar strings. Vikram's voice is fluid here, as he intersperses conversation and song with ease. As far as melodies go, this one's perhaps not brilliant but the lyrics provide some spice.

Piano notes start Vizhigalil oru Vaanavil, and Saindhavi starts off the number slow and smooth. She maintains a low, breathy tone that is pleasing. The notes have an eternal appeal as they mix gentle sorrow with affection. The pace is steady, and the appeal continues in the charanam as well. This is one of those numbers whose every variation you've heard and yet it manages to captivate you. 

Pa Pa Pappa starts off with bird sounds and a whistle, an enthusiastic beginning. This time too, it's Vikram who does the honours, and he manages to bring a child in front of your eyes, with his quavering and slightly off-key voice. There's a proliferation of a flute's notes and a simple beat that gives importance to the vocals. The song shifts from a nursery-esque feel to a tribal setting, but returns to a child's voice soon. 

The beginning of Vennilave turns out to be somewhat somber, and it's G V Prakash who holds the vocal reins. In keeping with his uncle, A R Rahman's [ Images ] tradition, he manages to throw his voice high and low. The background instrumental score is almost austere, and it adds some depth to the song. And you're reminded of Yaar Yaar Sivam, from Anbe Sivam. 

Jagada Dhom begins in quite a different fashion from the rest: a burst of synthesized music, S P B's strong voice lifted to the high heavens, while Maya and Rajesh add accompaniment. It's set to the mandatory template of win-at-all-cost songs, and has such a strong whiff of Lagaan [ Images ]'s Chale Chalo that you start humming the original despite yourself. 

A melodious piano piece begins Aariro, with a touch of angst; Haricharan sings in a soothing voice even as he touches high and low notes with ease. The pace rises and falls, taking you along with it. The song, undoubtedly, celebrates a unique relationship and while the first few lines of the charanam aren't all that inspiring, the song regains its appeal in the last couple of lines with the piano accompaniment. The flute plays a large part during the second interlude, and it traverses a familiar musical landscape. Ignoring these minor quirks, though, this is quite a moving piece. 

Life Is Beautiful has all the haunting beauty of the Scottish highlands even as Kalyan and Navin Iyer whistle their way gently through the beginning. The violin segment, though it may hold no surprises for lovers of western music, is very appealing. Obviously the theme music, it tugs your heart-strings. A short but melodious track. 

Deiva Thirumagan has numbers that fit in, almost formulaic fashion, with the angst and emotion that's required of a movie like this. The good thing is that G V Prakash, despite going with tried and trusted tunes, manages to make them melodious and touching. Go for it.

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